The art of
privately patrolling-
the axis of evil
W |
hen all grounds of
any interest are owned, controlled and lined up, the skies got to stay open!
The art project "1001
Nights 2002" has reclaimed the freedom of the sky.
It was an attempt to test if you can cross borders, flying yourself and manage as an individual to process
the massive amounts
of red tape, combined with such an operation.
To obtain necessary permissions and fly, map in hand, looking out the side-window;
following rivers,
roads and valleys along the border of Iraq right into Iran.
Crossing it and pursuing
on a mission to reach Kabul, Afghanistan.
Claiming anyone's right
to the sky.
The freedom to fly
anywhere at any time, even after 9/11.
It took off from a
farmers grass strip in Denmark, at the 4th of September 2002.
T |
hat was ten years after
Rumsfeld, Cheney and Wolfowitz had published the first draft of "Space
power theory".
A document describing
how air power can be used to control the grounds and how space power can control
the air.
"Full spectrum
dominance" is a key issue in this paper. Establishing USA as the only
dominating power on the planet.
The "drone attack"
in Yemen hinted towards the perspectives
of full spectrum dominance.
To take out any target,
anywhere at any time.
The war in Iraq showed
it even more clearly, cruise missiles attacking top targets in Baghdad.
B-2 bombers taking
off from fields amidst lands of genetically modified corn, flying
superdupersonic speed
across the globe. Crashing the cradle of agriculture between
the Tigris and the
Euphrates.
Finally ending that
era of agriculture, establishing their new times.
A task obviously not fully understood nor challenged in a Europe lacking coherent space policy.
Staging an impotent
war machinery.
Briefly addressed by Beijing's declared will to reach the moon and a Russian hope to cling on to,
what was once a race,
but now, is an established fact of domination of space-research.
F |
ar eastern Iran, the
holy city of Mashad.
Close to the Afghan
border.
Three months on our
way. The Americans controlling Afghan air space, denying us to enter.
Last words from the
US Major on a hissing line to Qatar:
"Sorry to say
Mam, but if you cross that line, you would be a target Mam. I repeat Target!"
Click!
Time passed by noon
before we finally entered our forty-year-old Piper Colt.
The little two-seater
wiggled out over deserted lands, once the route of silk caravans.
A line in the sand,
clearly visible from 2500 feet.
The Afghanistan border.
Goodbye and good luck
from Iranian air-defense radar control seventeen minutes ago. It didnÕt take
long before the radio started to spark:
"This is area
control. Aircraft crossing line, heading one, two, four. Identify! Identify!"
Like an invisible voice
from the sky, the ever patrolling AWACS high up there somewhere. They spotted
us immediately.
We penetrated American
fortress Afghanistan.
"We no shoot you
down! This is baby-plane, no danger!" the local commander
of Herat airport watch-group
explained, pointing his Kalashnikov to the sky.
If you are small and
persistent Ð you can succeed.
*
K |
abul, on a mission
amongst ruins to find a girl.
A certain girl, special,
her name: Faryal, a 16-year-old with the outspoken dream of becoming a fighter
pilot.
She told this to a Danish reporter, those hectic January days when reporters paid thousands of dollars to be driven around,
having women to unveil
and shyly look out of their burkhas.
Now the reporters gone,
the burkhas on.
Faryal still in school,
now teaching the English she learned less than a year ago.
We found her.
Completing the "axis
of meaning"Simone saw that grayish winter day over a cappuccino in her
morning cafŽ.
The article was electric
to her.
After the work "Sisters in the sky" about how women went into the field of military pilotry during WW II,
a link was there, the
future in front of her.
Faryal facing much
the same problems with cultural resistance as women did in the west not to
long ago.
To take her flying,
letting the controls to her over the ruins of Kabul. A wish for the skies
would come true.
M |
odus operandi being
the one of aero feministic action.
Building a cross border,
cross time, sister hood in the sky.
Using the full involvement
technique developed in earlier works.
That is, to perform the task and persistently telling and retelling your story, letting every individual who wants to,
become a pillar in
this imaginary air bridge between west and east.
Trusting their Yes!
to open skies, making yet another leg closer to the goal.
Bringing courage from
flying sisters along route.
There where the young
Croatian girl, new at flight academy. The Turkish-Bulgarian, a Muslim, well
on her way in the cockpits.
Turkish female fighter
pilots of today, who flew formation with Simone in their F-5,"Freedom
Fighters".
F |
aryal facing this sister
hood was quite uninterested in them all.
She more bound to deny
her dream, controlled by a mother obstructing possibilities for the daughter
to lift from the ground.
We, a metaphor on how
the west throws itself upon any prey in need to satisfy this thirst for righteous"good-willing".
Faryal is tough, Afghanistan
is harsh. Simone is determined.
Now cultural negotiation
begins for real.
A Pashto clan leader
helped as an intermediary.
Letters signed by ministers
from Aviation and Defense Department provided security.
Cooperation with controlling
Turkish forces made the actual flying possible.
Slowly Simone and Faryal
could define themselves, sharing the same dream.
It took a month to
do.
No more men, mothers
or officials in their way.
They met on the ground,
found a platform, made it closer to the plane.
Faryal finally took
off. She steered the airplane out over Kabul.
She smiled, threw up,
wiped off, laughed and flew on.
Ò1001 Nights 2002Ó succeeded in its claim
for anyone to fly anywhere at any time.
No matter what.
The skies reclaimed!
Tin-tinism and postcolonial
flair being a flirting bonus a year when aviation celebrates 100 years.
The Wright brothers
took off 1903.
Where did it take us?
Simone Aaberg Kærn/
Magnus Bejmar